spydy13
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The film is more comparable to 2001: A Space Odyssey (you could even consider it a remake).
Contact has more to do with the strident opposition to religion by many avowed atheists in the scientific community and how those feelings could potentially blind one to a greater truth.
2001 is more about the meaning of life and and the nature of existence. Who are we, and where are we going? Kubrick's approach does this through a deconstruction of the self, assuming that all of the answers to the question lie within.
Interstellar takes the approach that one can only analyze (by deconstruction) the self by viewing it from the perspective of one's descendants. Hence the meaningful link between father and daughter.
Both 2001 and Interstellar use the third act to take the viewer completely out of their comfort zone. But to be honest, Nolan coddles the viewer for most of the movie, protecting them from the very harsh realities the environment around a supermassive black hole would present (especially on Miller's planet).
Comparing the two films, I don't think Interstellar takes any liberties or delves any further into the metaphysical than 2001. I think both films are equally well done.
I think those are definitely large elements of both Contact and Interstellar, and I know that Nolan was heavily influenced by 2001 (I've only seen snippets of 2001 and that was a long time ago. Admittedly this is a point of shame for me.)
But I see the ending of Interstellar as the desperate attempt by McConaghy's character to reconnect with his daughter. Yes, he wants to transmit the information so that he can save the human race, but I saw his main goal as just wanting to connect with her again in any way possible.
I see a similar struggle for Ellie in Contact, who even before he Dad died was trying to talk to her Mom again.
I see a similar struggle for Ellie in Contact, who even before he Dad died was trying to talk to her Mom again.
But that's why movies are awesome, because we all get to have our own interpretation.