Ok, here goes my Godzilla rant.
This was a bad movie. Keep in mind that this is coming from someone that has seen almost every Godzilla film and grew up on the genre. I desperately wanted something new to wash the Puff Daddy Kashmir-covering version out of my mouth and thought this would do the trick. The trailer looked extremely promising. I was dialed in.
Let’s talk about the good…
1. Cranston. He was very good in his role, and like others mentioned he was the only actor in this whole thing that really accomplished anything from an acting perspective… then he’s just gone. I didn’t have a problem with his character per se, just some ways in which he was used. More on that in a sec.
2. The fight between Godzilla and the Mutos. I really like that they went with a monster battle rather than our protagonist just ravaging the city. In an era where they could have had everything flying around seamlessly, they didn’t overuse the CGI and kept the fights rather slow and “Godzilla-like”. Looked like a throwback and I appreciated it.
3. The easy to miss Mothra shout out.
Now the bad…
Pretty much everything else. However, let’s start with some overarching themes.
The original 1954 Godzilla was borne from the aftermath of Hiroshima and Nagasaki. He was the manifestation of nuclear war/western imperialism/general fear to the Japanese people. He overturns boats, wreaks havoc on Tokyo and essentially is only stopped because a scientist created an “oxygen destroyer” that is deadly enough to take Godzilla out, while it is presumed to take out a very large chunk of ocean life with him. Families die, lovers are torn apart, and a mother tells her kid that “we’ll reunite with father soon” before inevitable being trampled. It’s a dark tale. In later years, Godzilla becomes politicized and even fights for Tokyo against the other monsters. The origins of radiation and reason for Godzilla’s existence always remain.
In THIS movie, not only is any trace of the origins neglected, but it’s the Americans that save the Japanese. Pretty ridiculous. Naturally, Cranston’s character, the one American scientist in the entire region, saves the day and uncovers the secrets behind echo location. A solution that none of the Japanese were able to figure out in 15 years. In case you didn’t catch onto the theme of America saving Japan, Cranston’s son physically saves a young Japanese boy on the subway because the boy’s parents were not able to keep him safe on their own. Keep in mind that much of the action moves to the States, though the point remains. If the two nations were currently involved in conflict this would be the most epic of propaganda films. Let’s remember that Godzilla’s entire existence is a function of American aggression. Talk about a hijacking of a natural treasure.
On top of all this, we are forced to deal with lazy dialogue and terribly wooden acting performances all around. I swear Watanabe is capable of good performances, but in this he’s reduced to this perpetual state of stupor. Dude looks like Homer Simpson for most of the movie. Oh yeah, he says “Godzilla” in an Asian way and also says “Let them fight”. You never care about any of these characters except for Cranston who {SPOILER} is gone by the half-way point. They’re so scared of making any of this resemble reality that they won’t even kill off a dog that’s chained to a post while the threat is rolling in. The camera cuts and it’s inexplicably free of the restraints and running down the street with everyone else.
So the problem wasn’t that most of the movie is Godzilla-less. That’s how most of the movies are… the threat is more enthralling most of the time. The issue is the whitewashing of the franchise and the completely boring human elements. For God’s sake, you got the Godzilla license! Why turn it into a watered down Captain America with monsters?
2/10