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Just watch this last scene in Rogue One:
Multiple story arches coming to an end but the pacing, score, tone is setup so you can feel the gravitas of the setting. For all of JJ Abrams doing Star Destroyer, Final order super fleet with super guns, the single shot of the giant death star conveys so much more of the terror of the thing then throwing so much crap on the screen that you're struggling to figure out what the hell is going on. In the final scene of ROS, your thinking how did Lando get all those ships, why is their only one navigation system at a time, why are there horses on a star destroyer at high altitude, guessing which one will die and rebirth and then die and rebirth again.
Like Rogue One they need a guy like Tony Gilroy to come in and save the script but you can't overide JJ Abrams.
Or they could have just actually liked Star Wars and respected what made the movies well loved. Similar to RO see how in ROTJ there is a focus and clarity to the EP and Luke scenes without the utter chaos of the ROS
And do you know what else pisses me off?
In every film that is part of a beloved franchise, whether it be Trek or Wars, Abrams takes enormous liberty with large parts of the milieu in order to build up new characters.
And then never explains the change in events within the film; but does it in some comic book or whatever, to retcon obvious plot holes.
In this case, evidently Ashoka Tano is dead. Here voice is heard with the other dead Jedi.
The last we saw of her, she was very much alive. She is a fantastic character and a very powerful Force user.
Telling us she died in some comic book a year down the line, just to build-up THE Mary Sue, would fit with JJ's pattern.